{"id":41,"date":"2019-02-20T10:39:04","date_gmt":"2019-02-20T09:39:04","guid":{"rendered":"https:\/\/trostfrauen.museum\/en\/?page_id=41"},"modified":"2019-09-12T11:56:29","modified_gmt":"2019-09-12T09:56:29","slug":"face-to-face","status":"publish","type":"page","link":"https:\/\/trostfrauen.museum\/en\/face-to-face\/","title":{"rendered":"Face to Face"},"content":{"rendered":"\n
Auf Deutsch wechseln<\/a><\/div>\n\n\n\n

In the portrayal series “Face to Face”, Halmonis (korean for Grandmothers) not only show themselves as survivors of the system, but also as women with their own name and identity. Uniform photography symbolizes their shared experiences, while personal stories become loud through their singing. Their mix of old Japanese military songs and folk songs of foreign lands, which have been changed by women to survive the horrors and pain of slavery, rekindle their own memories and emotions.
<\/p>\n\n\n\n

\n
\n
\"Mun-Pil-gi\"

\u00a9 Tsukasa Yajima <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Mun Pil-gi
(1925 \u2013 2008)<\/h2>\n\n\n\n

Song: Cry, Guitar String! <\/p>\n\n\n\n

\u00a9 Joshua D. Pilzer<\/figcaption><\/figure>\n\n\n\n
About the picture<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"Kim-Sun-deok\"

\u00a9 Tsukasa Yajima <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Kim Sun-deok (1921 \u2013 2004)<\/h2>\n\n\n\n

Song: Traveling Entertainer – Taryeong (Minyo-Korean folksong)<\/p>\n\n\n\n

\u00a9 Joshua D. Pilzer<\/figcaption><\/figure>\n\n\n\n
About the picture<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"Bae-Chun-hui\"

\u00a9 Tsukasa Yajima <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Bae Chun-hui (1923 \u2013 2014)<\/h2>\n\n\n\n

Song: Dance Music of Youth<\/p>\n\n\n\n

\u00a9 Joshua D. Pilzer<\/figcaption><\/figure>\n\n\n\n
About the picture<\/a><\/div>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"Yi-Yong-nyeo\"

\u00a9 Tsukasa Yajima <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Yi Yong-nyeo
(1926 \u2013 2013)<\/h2>\n\n\n\n

Song: Medley – Composer Unknown & Take Care, Busan Harbor<\/p>\n\n\n\n

\u00a9 Joshua D. Pilzer<\/figcaption><\/figure>\n\n\n\n
About the picture<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"Yi-Ok-seon\"

\u00a9 Tsukasa Yajima <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Yi Ok-seon
(1927 \u2013 )<\/h2>\n\n\n\n

Song: Tahyang Sali \u2013 Life in a Foreign Land <\/p>\n\n\n\n

\u00a9 Joshua D. Pilzer<\/figcaption><\/figure>\n\n\n\n
About the picture<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"Yi-Yong-su\"

\u00a9 Tsukasa Yajima <\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Yi Yong-su
(1928 \u2013 )<\/h2>\n\n\n\n

Song: Song of the Pilots<\/p>\n\n\n\n

\u00a9 Joshua D. Pilzer<\/figcaption><\/figure>\n\n\n\n
About the picture<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n


Tsukasa Yajima <\/h1>\n\n\n\n

YAJIMA Tsukasa – born in Takasaki, Japan – studied history at Waseda University and photography at the Nippon Institute of Photography in Tokyo. From 2003 to 2006, Yajima lived in the House of Sharing in South Korea, a home for Korean women who survived the ordeal of the \u201acomfort women\u2018 system and worked on the \u201eFace to Face\u201c photography project. His photographic works have been exhibited in Germany, Japan, South Korea and Taiwan.<\/p>\n\n\n\n

www.tsukasa-yajima.com<\/a><\/p>\n\n\n\n

The audio recordings were kindly provided by Joshua D. Pilzer. <\/p>\n","protected":false},"excerpt":{"rendered":"

In the portrayal series “Face to Face”, Halmonis (korean for Grandmothers) not only show themselves as survivors of the system, but also as women with their own name and identity. Uniform photography symbolizes their shared experiences, while personal stories become loud through their singing. Their mix of old Japanese military songs and folk songs of…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/nosidebar-page.php","meta":{"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry","comments-closed","no-comments"],"yoast_head":"\nFace to Face - Museum of Comfort Women<\/title>\n<meta name=\"description\" content=\"In the portrayal series "Face to Face", Halmonis not only show themselves as survivors of the system, but also as women with their own name and identity.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/trostfrauen.museum\/en\/face-to-face\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Face to Face - Museum of Comfort Women\" \/>\n<meta property=\"og:description\" content=\"In the portrayal series "Face to Face", Halmonis not only show themselves as survivors of the system, but also as women with their own name and identity.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/trostfrauen.museum\/en\/face-to-face\/\" \/>\n<meta property=\"og:site_name\" content=\"Museum of Comfort Women\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-12T09:56:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/trostfrauen.museum\/en\/wp-content\/uploads\/sites\/2\/2019\/01\/Mun-Pil-gi-1024x1024.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/trostfrauen.museum\\\/en\\\/face-to-face\\\/\",\"url\":\"https:\\\/\\\/trostfrauen.museum\\\/en\\\/face-to-face\\\/\",\"name\":\"Face to Face - 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